Recently, The Brazen Bull’s Charlie Chipman was fortunate enough to get the chance to sit-down with Tor’s author Joe M. McDermott, and talk about his upcoming book, The Fortress at the End of Time. Below is the transcript of the interview in its entirety. Charlie and Joe talk about everything from what is about the craft of writing that intrigues Joe to the so-called ‘Dream Salesman’ and their unfortunate customers. Joe’s newest novel is set to be published on January 17th, 2017. To pre-order a copy of The Fortress at the End of Time click here Pre-Order The Fortress at the End of Time, and to learn more about the book, Joe, and Tor, click here Tor Publishing. Enjoy!(CC) First, before we dive into your book, FORTRESS AT THE END OF TIME, I want to know about you, the author. Tell me about yourself, who is Joe McDermott?(JMM) I’m pretty sure I’m human. I’m a pudgy, middle-aged white guy from suburban Texas, mostly.(CC) Why writing? What is it about the craft that drew you in? When did you realize this?(JMM) I wish I had a good answer, but I don’t. I write because I don’t have the power to change the world. It’s either writing or standing on a street corner and shouting at passing cars. I don’t feel like writing is nearly as effective, but at least I don’t have to leave the house to do it.
Let’s start with an introduction: Who is Joe M. McDermott?That’s who I am when I write fantasy novels. I’m going by Joe M. McDermott, these days, in part because I am tired of people I have known for years calling me “Jim.”Your new novella, The Fortress at the End of Time, will be published byin January 2017. It looks really interesting: How would you introduce it to a potential reader? Is it part of a series?Larry Nolen, of OF Blog of the Fallen, recommended a book to me, that I loved, and which led me to another book, which I also loved. The first book was The Tartar Steppe by Dino Buzzati, an old Italian Surrealist anti-war book. On the Amazon recommended page, there was also a fascinating book called The Opposing Shore by Julian Gracq, a French classic of SF. I loved them both, and thought about how they were better military fiction than the military fiction I was reading, because it was more about dealing with the idea of the military, the way the bureaucracy and culture press down on the soul and psyche, than about any great acts of violence.
— posted by Alvaro Zinos-Amaro at Friday 13 January 2017 @ 5:54 pm GMTThere is the writing, then there are the publishers, and then there are the consultants to writers and publishers. I refer to the third category as the “Writer Industrial Complex” and they are in the business of selling services that may or may not help books and stories along. It’s not necessarily a bad thing that this industry exists, and it can provide valuable services at critical stages of a writer’s practice. However, there is always a dark side where there’s lots of hope, a limitless supply of wannabes with money, and no accountability whatsoever. You see, the Writer Industrial Complex can always place the blame for your failure to implement their system successfully upon the feet of the phrase “Write a better book”. There are very few meaningful professional standards, and no licenses to lose. If poor student performance and bad reviews build up, it doesn’t take much to burn the website down and start over.